Blues Legend B.B. King, whose scorching guitar licks and heartfelt vocals made him the idol of generations of musicians and fans while earning him the nickname King of the Blues, died late Thursday at home in Las Vegas. He was 89. King, who will forever be linked with the Gibson guitars he named Lucille, died in Las Vegas, the newspaper quoted his attorney as saying.
Reuters could not immediately verify the report.
King was diagnosed with Type 2 diabetes in the 1980s. He was hospitalized in April for a few days after suffering from dehydration related to the disease. In May he said on a Facebook post that he was in hospice care at his home.
King had a deep, resonant singing voice and, despite having what he called "stupid fingers," an immediately recognizable guitar sound. His unique style of trilling the strings with a fluttering left-hand vibrato, which he called it "the butterfly," helped shape early rock. He delivered stinging single-note licks that brimmed with emotion and were copied by white rock guitarists including Jeff Beck and Bonnie Raitt. For most of a career spanning nearly 70 years, Riley B. King was not only the undisputed king of the blues but a mentor to scores of guitarists, who included Eric Clapton, Otis Rush, Buddy Guy, Jimi Hendrix, John Mayall and Keith Richards. He recorded more than 50 albums and toured the world well into his 80s, often performing 250 or more concerts a year. King played a Gibson guitar he affectionately called Lucille with a style that included beautifully crafted single-string runs punctuated by loud chords, subtle vibratos and bent notes. The result could bring chills to an audience, no more so than when King used it to full effect on his signature song, "The Thrill is Gone." He would make his guitar shout and cry in anguish as he told the tale of forsaken love, then end with a guttural shouting of the final lines: "Now that it's all over, all I can do is wish you well." His style was unusual. King didn't like to sing and play at the same time, so he developed a call-and-response between him and Lucille.
King had a deep, resonant singing voice and, despite having what he called "stupid fingers," an immediately recognizable guitar sound. His unique style of trilling the strings with a fluttering left-hand vibrato, which he called it "the butterfly," helped shape early rock. He delivered stinging single-note licks that brimmed with emotion and were copied by white rock guitarists including Jeff Beck and Bonnie Raitt. For most of a career spanning nearly 70 years, Riley B. King was not only the undisputed king of the blues but a mentor to scores of guitarists, who included Eric Clapton, Otis Rush, Buddy Guy, Jimi Hendrix, John Mayall and Keith Richards. He recorded more than 50 albums and toured the world well into his 80s, often performing 250 or more concerts a year. King played a Gibson guitar he affectionately called Lucille with a style that included beautifully crafted single-string runs punctuated by loud chords, subtle vibratos and bent notes. The result could bring chills to an audience, no more so than when King used it to full effect on his signature song, "The Thrill is Gone." He would make his guitar shout and cry in anguish as he told the tale of forsaken love, then end with a guttural shouting of the final lines: "Now that it's all over, all I can do is wish you well." His style was unusual. King didn't like to sing and play at the same time, so he developed a call-and-response between him and Lucille.
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